- #Aperture 3.5 depth of field manual#
- #Aperture 3.5 depth of field full#
- #Aperture 3.5 depth of field plus#
You also get flash sync at any shutter speed, and on hasselblad's digital medium format cameras there is a maximum shutter speed of 1/2000sec.
#Aperture 3.5 depth of field plus#
Leaf shutters incur less vibration than in-camera mechanical shutters, plus they are quieter too.Ĭompatible with such a high-resolution cameras, the leaf shutter is a win because unwanted shake will impact image quality more clearly. This means that there is no shutter in the camera. Like all Hasselblad XCD lenses, there is a built-in leaf shutter. While it may (unsurprisingly) lack optical stabilisation, there is more inside this lens than its 11 lens elements in 10 groups.
#Aperture 3.5 depth of field manual#
We really like this camera and lens pairing, Hasselblad does 'in-the-hand' really well.Īsides from that manual focusing ring (that offers a smooth rotation), there is not a single switch or control. Paired with the Hasselblad 907X 50C camera you're looking at around 1.3kg - that's about the same weight as an equivalent full-frame DSLR and lens pairing. This is an all-metal lens so it has that reassuring weight to it. There's the distinct XCD minimalist look, an all-black exterior with a ridged manual focus ring. On the outside, you'd be hard pressed to tell the difference between this and the XCD 21mm f/4 lens.īoth have the same diameter, 77mm lens thread, though the 30mm F3.5 lens is fractionally lighter at 550g and shorter at 88mm. The Hasselblad XCD 30mm F3.5 is one of the smallest and lightest lenses in the XCD range. So will the Hasselblad XCD 30mm F3.5 deliver too? Read on to find out. There's also a high expectation on image quality too - XCD lenses typically excel in virtually all areas. There's a similar design and build quality, including a built-in 'leaf' shutter (rather than the shutter being in the camera). If you've used one of Hasselblad's XCD lenses then you'll be right at home with them all. The list price of Hasselblad's lens is £3,588, which is more than twice the money you'll need for the Fujifilm lens, and indeed Pentax's closest lens, the 35mm f/3.5. In the Fujifilm GFX medium format series there is a direct competitor, the GF 30mm F3.5, which we tested recently. Only the XCD 21mm f/4 lens offers a wider angle of view in the Hasselblad line up. We would typically associate a 24mm f/2.8 (equivalent) lens like this with landscape photography.
#Aperture 3.5 depth of field full#
There's a 0.79x magnification, meaning the lens has an equivalent 24mm focal length (to the full frame 36x24mm sensor format).ĭepth of field is also different, with the maximum f/3.5 aperture providing an equivalent depth of field of around f/2.8. We have used the latter camera with the lens for this test.ĭigital medium format is not strictly the same as film medium format, with the sensor area of Hasselblad's compatible cameras measuring 44x33mm. The Hasselblad XCD 30mm F3.5 is a wide-angle prime lens designed for the company's 'digital medium format' cameras that includes the Hasselblad X1D II 50C and the new Hasselblad 907X 50C.
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